Niantic ceramics are characterized by globular bodies, constricted necks, and low relief collars. Niantic has been further subdivided into subtypes by Lavin (1980): Niantic Stamped, Niantic Punctate, Niantic Stamp/Drag, Niantic Incised.
The decoration found on Niantic pottery
typically consists of shell stamped and/or incised lines
in horizontal, vertical, and opposed oblique orientation.
The use of opposed oblique lines creates a series of
triangular designs. Decoration is usually restricted to the
collar. Interior decoration is another feature common to
the Niantic type. Low relief castellations have been noted
on Niantic ceramics, but this practice is not common.
In coastal regions the temper is usually shell, while in
the upland interior regions mineral temper is common.
Sherd thickness usually averages between 7 and 10 mm.
Niantic is considered the ancestral type from which the
Hackney Pond and Shantok Castellated types were derived.
Hackney Pond
Hackney Pond ceramics are similar to Niantic in the range
and orientation of design elements. The Hackney Pond type was
first identified by McBride (1984) based on material recovered
the lower Connecticut River valley. Hackney Pond ceramics are best
characterized by low relief collars and their lack of castellations.
Incised and stamped lines are arranged into repeating triangular
patterns much like those noted for Niantic.
One of the most distinctive qualities of Hackney Pond ceramics is the lack of temper. Sherds of this type often exhibit fine, compact paste. Porosity associated with the leaching of shell temper is virtually absent. Hackney Pond ceramics are also noted for their relatively thin vessel walls. Sherds range in thickness from 3 to 9 mm and usually average less than 8 mm.
In general, Hackney Pond appears to be a direct descendant of the
Niantic type and represents a local refinement of ceramic technology.
Shantok Castellated
Shantok was originally defined as a tradition, distinct from the
local Windsor Tradition ceramics of southern New England (Rouse 1947).
More recent analysis of stylistic data indicates that Shantok is in
reality a Windsor Tradition type. The largest Shantok assemblage was
recovered from the historic Mohegan site of Fort Shantok, in Montville,
Connecticut. To avoid confusion, the label Shantok Castellated is
used to identify the most distinct group of Late Woodland/Contact
Period ceramics in southern New England. Non-castellated ceramics
formerly assigned to the Shantok Tradition more closely match the local
Niantic and Hackney Pond ceramic types. The decorative aspects of the
castellated specimens also closely match designs identified on contemporary
Windsor types.
As the name implies, the castellation is an important attribute in distinguishing Shantok ceramics from contemporary Windsor and Hackney Pond types. Shantok ceramics are almost always shell tempered and the vessel body is often porous. Thickness ranges are comparable with Hackney Pond ceramics and range from 3 to 9 mm.
Castellations are subject to a variety of treatments. The most
common form is the 'split' castellation which is formed by vertically
incising the castellation. Effigies have been noted on castellations
in southern New England, though they are rare. In New York state,
effigies are also noted on castellated pottery of the late Owasco
Tradition.
Summary
The late ceramics of southern New England demonstrate in situ
developments in terms of decoration, morphology, and technology during
the period 500-300 Years B.P.. All three types are considered the
final types of the Windsor ceramic tradition. While all of these
types are distinctly part of the local Windsor Tradition, the late
pottery of southern New England shares many similarities
with contemporary ceramics types of New York and the middle-Atlantic
states. Pan-regional similarities in ceramics appear to cross-cut
linguistic and ethnic boundaries (Iroquois and Algonquian).
Lavin, Lucianne and Laurie Miroff (1992), Aboriginal pottery from the Indian Ridge Site, New Milford, Connecticut. Bulletin of the Archaeological Society of Connecticut, 55:39-61.
Lizee, Jonathan (1994), Prehistoric Ceramic Sequences and Patterning in southern New England: The Windsor Tradition. University Microtext, Ann Arbor.
McBride, Kevin (1984), Prehistory of the lower Connecticut River valley. University Microtext, Ann Arbor.
Rouse, Irving (1947), Ceramic traditions and sequences in Connecticut. Bulletin of the Archaeological Society of Connecticut, 21:10-25.